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Uglar reverses his text assemblages to calligraphy. The status of the letters on Uglars paintings is altered from that of a code to that of concrete object, while text reoccupies the territory of sensuality that it abandoned when symbolic meanings were attached to it.
It is at this point, when abstract code once again becomes abstract, that Uglar really begins to approach painting, whose system of gestures he only seemed to have suspended temporarily in the first place. The body of the present works created on black paper is most reminiscent of his paintings with ball bearings inserted into a black painted surface. Thus his work is an anarchic formula of the chaos theory, which invites us for a time-travel in typography.